WeGohardRadio.com Going Ham on a Wed w/Dj D1

DJ D-1 Live 8-10pm on www.wegohardradio.com check him out!!!Make sure to check out Throwbacks at Noon w/The Legendary Dj Showtime followed by Dj Maxx @1pm ...Tell a Friend to tell a friend reshare ,repost,retweet..WGHR

Whitney Houston Funeral Footage Sells to Benefit Bobbi Kristina

Whitney Houston's "home going" ceremony has turned into a money maker for her Estate -- which very quietly struck a deal to sell the video of the funeral.Here's how it went down ... Associated Press provided a live pool feed of the funeral to media outlets around the world (including TMZ) on Saturday -- but everyone had to pull the footage 24 hours later. Why? A rep for the family confirms the family has now "agreed to license footage to several media outlets." The rep says the family is charging "customary fees" to ... "help maximize the estate for the benefit of Bobbi Kristina.

"SLICK RICK" the Ruler will Hit the Stage March 10th at Club International!!

The Man himself Slick Rick the Ruler will hit the stage March 10th at Club International blessing us all with his great hits!

Music Spun by www.wegohardradio.com Djs Slim and Dj D-1 (the lean Movement Djs)

Host for the night will be hot 93.7 own Dj Buck

Opening acts
•Ru Williams
•Scan RTB
•Noedall
These 3 talented individuals will be warming up the crowd with nothing but the best talent from Ct!

Drink Specials:
domestic beers $2// import beers $3
Mix drinks starting @ $4
Brand name bottles (such as Ciroc,henny, Goose etc) all starting at only $95
These specials are from 9pm-11:15pm ONLY so don't be late!!!

For tickets and/or Vip contact Erik Bige Gonzalez (via fb) or Club International's hotline 8608454790

Tickets in advance are going for only $20!!!

Security is enforced
Penalty of free parking
21+ only and I.d's are a must
No hoodies allowed

DO U BELIEVE IN THIS SECRET SOCIETY?

Whitney Houston’s Death and The Secret-Society, Called The Music Industry
Posted on February 12, 2012

I was asked by a family member, who knows I’m an occult researcher, to look into Whitney Houston’s death, as being a sacrifice. Now, I don’t usually do too many articles on the Illuminati and their connections with the music industry, because there are thousands of researchers that investigate this sort of thing, but when I looked into this one I figured it was worth sharing my opinions with the world.

Before I get into my research I want to say that I was a Whitney Houston fan and I never judged her as a crackhead, like many others. I know that it is strong people within the music industry and she was definitely one of them. She started out in the Choir and her first solo performance was “Guide Me O Thou Jehova”. Whitney was one of the few entertainers who got a record deal, because of her true talent and not because of connections and affiliations that she had. She paved the way, with her voice and image, for many diva’s that would come after her. Whitney is free from the body and free from the matrix, which means her mission here was complete.

Even though there is tons of research proving it, many people don’t believe that there is a secret society that controls the music and film industry. This is mostly due to ignorance and those people that make this claim are usually the ones who have done zero research into the topic. They simply make these statements because they don’t want to awaken from their celebrity dream world and that is ok. This is why the owners of the matrix put so much money and time into promoting celebrities, because the celebrities are the stars that keep the matrix alive to billions. Whitney Houston sold over 100 Million records and generated Billions of Federal Reserve notes (dollars), Euro’s, and pounds, for the world rulers. But more important than the money, Whitney Houston represented an image to the world and images in the matrix have to be controlled to their end.

I was in the music industry and anytime I involve myself in something I do research to see what I am getting myself into. When I did my research on the music industry I found out that there are 3 major labels that own the Industry and all of the smaller labels within it. These labels are Sony, Universal, and Warner Brothers. Now, what most people don’t realize is that these record labels are all owned by certain Elite families. Just because a company is a publicly traded one doesn’t mean that it can’t be privately owned. A publicly traded company is broken down into three parts, bonds, preferred stocks, and common stocks. A corporation is issued bonds from a bank and it then begins to invest into itself with the banker money. The stocks are issued out,first to the preferred stockholders, and then the general public gets a shot at investing into the stocks, as common stock holders.

A corporation is simply a vehicle, called an artificial person in law, that is used to move finance from one place to the next. The bond holders are the true owners of the corporation and as I said above the bond holders are bankers. It is common knowledge that the global Elite run the world through the practice of banking, which is rooted in lending. The Rothschild family are the money manipulators and masters who control banking in Europe and the Rockafeller’s control banking here in the Corporate U.S. Thus, at the end of the day the entertainment industry is controlled and owned by the bankers, just like every other industry.

Everything that takes place in public is first planned in private through secret societies. This is the way the world has always worked and the music industry is no exception to this. Before a entertainer is given a recording contract they must first be a member of a secret society. A so called X member of the Illuminati, who was a music executive in the 70’s spoke about this publicly, his name was John Todd. According to Todd, every musician and entertainer in the music industry and Hollywood, has to be a initiated wizard or witch before they are offered a recording contract. This is what some writers have called the selling of the soul or light to Lucifer. In his speeches John Todd further demonstrates that after the record is cut and the master is finished, it is then given to a coven of witches and wizards who conjure up a demon. Once the demon is conjured the witches and wizards ask the entity to attach itself to every copy or duplicate that is sold to the public, which guarantees the success of the record and also takes control of the listener. If you want to research Todd’s work in full I have all of his recorded material on MP3 and would be glad to send it to you. (Email me at 13signsastrology@gmail.com)

The point I am making above is that the music industry is a cult and once one gets a record deal they are now an initiate and are a part of the cult for life. Whitney Houston was no exception to this rule and she took the oath back in the 70’s. Once the oath is pledged you become the property of the record labels and the machines and you can NEVER retire. The only way out of the game is death! If you think I’m lying, please email me with one entertainer who has successfully retired from the industry, never to come back again. There is no way out.

Whitney Houston reached the peak of her career in 1992 when she starred in the film Body Guard, with Kevin Costner. If you notice all of the big entertainers have to do a film when they reach their peak so that they can generate more capital for their masters aka the label. Whitney had a pristine image, for the most part, and this is why many, including myself, respected her. In her music and even in the Body Guard film she played the type of person she was in real life. Little did Whitney know that the people that control the industry love to breakdown the image of pure and clean folks and this is exactly what they set out to do after the Body Guard film. She later starred in Waiting To Exhale and Cinderella, but information began to leak that she was often late for interviews and a no show sometimes. This was around the same time she met and would eventually marry Bobby Brown.

You see, in the music industry nothing happens without the consent of the label and Whitney meeting and marrying Bobby Brown was no different. The life of an entertainer doesn’t stop when the cameras go off, the entertainment spills over into your personal life, because as I said above, when you sign the deal you are now the property of the labels. The labels allowed Whitney to Marry Bobby Brown and if one does any investigation they will see that her life began to go downhill shortly after. Now I’m not blaming Bobby for Whitney’s fall, because he took the oath and made a deal with the goat just like her, so I believe they used Bobby to make Whitney’s life more interesting and to begin to tarnish her image. Like I said the music industry is not for those who are pure at heart and Whitney was a pure soul indeed! The labels knew what kind of person Bobby was and they knew he would be a good pick for their goals with Whitney. So, the labels began to work rituals based on Bobby and Whitney’s relationship, remember everybody in the game aka the industry plays a part even when the cameras go off.

Whitney Houston stated in her interview with Oprah in 2010 that she was attracted to Bobby because he, “took control of her and their relationship, and she liked that.” In reality Bobby was acting as Whitney’s handler, which is a term used in mind control. A handler is one who is used within a mind control experiment to break another and to get them to do what the controllers of the experiment want, this was Bobby’s role. The labels wanted to spice up Whitney’s life aka destroy her pristine image, which they had been targeting since she got into the industry. You may wonder why they would want to do a thing like this, but if you’re not in the industry then you can’t imagine how diabolical the people are who run the show. These people thrive on drama, sex, violence, and drugs. As they say, sex sales! Entertainers are products of the elite and they are treated as such, they (The Elite) don’t give a shit about human values morals and the likes. The people that are behind the scenes are master witches and wizards and their goals are constant control and power.

Whitney Houston was addicted to cocaine and she became infamous for this habit. You have to ask you’re self why was she addicted to cocaine, because from a metaphysical point of view, people that use drugs are using them to cover up something. According to her 2010 interview with Oprah, Whitney said, “Bobby would draw eyes all over their home.” Could these be the all seeing eye that depicts Lucifer’s eye within the occult. I already proved above that these people are witches and wizards. She further states that, “Bobby was her drug”, which further proves that she was using the drugs as an escape from her life with Bobby. Whitney wasn’t happy with herself and the way her life was ending up and in the same interview with Oprah she even referred to herself as “the devil.”

According to Bobby Brown’s sister, who would go on drug binges with the couple, “Whitney hallucinates and sees demons when she’s high; she bites and beats herself black-and-blue but blames the devil for the injuries.” Bobby’s sister Tina goes on to say that, Houston sees ‘demons’ everywhere she goes, and beats herself up while saying “The Devil be hitting me.” Tina claimed that drugs have made Whitney so paranoid she sees evil apparitions and once drilled a spy-hole in her bathroom to look for “demons.” She said: “She’ll point to the floor and say, ‘See that demon. I’m telling you somebody’s messing with Bobby.’ She always thinks it’s something to do with Bobby.” She added: “She breaks everything – mirrors, phones, cabinets, appliances.”Now, ask yourself, what’s really going on within the music industry? Is it just drugs or was Whitney demon possessed? Why are all of these celebs hooked on drugs and why are all of these celebs dying young?

Whitney was of no use to the industry anymore because as many of you know she couldn’t sing the way she use to. The drugs and the demons drained her life force, because Whitney was pure and wasn’t built for demonology. Whitney was sacrificed aka thrown from the freedom train, and done away with a day before the Grammy’s as a industry ritual. She was found dead in a bath tub within the hotel of Clive Davis Pre- Grammy Awards party. This was a ritual, just like every other aspect of Whitney’s life. Whitney was born on August the 9th and died on February 11th. (9-11) 9-11 is a numerical code used by the elite to perform human sacrifice rituals and Whitney’s death was no exception. She died a night before the Grammy’s because within the occult one can harness the energy of the deceased to attain the ends of their choice. Whitney’s energy will be used for the awards tonight and this is why the media jumped all over her death before the cause was even discovered. This is a ritual folks.

My last piece of information that I will submit, about the occult connections to the music industry, is Madonna’s performance at the Super Bowl. This performance, by Madonna, was a High priestess ceremony. The costume worn by Madonna speaks volumes as to her rank with the secret society within the music industry. Madonna was interviewed, prior to the Super Bowl, on Anderson Cooper show and she said, “The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful. Don’t take her words for granite, as she is telling you that her performance was a ritual. The Holy of Holy’s is the name of the most sacred place found within Solomon’s Temple. No one was ever permitted to enter the Holy of Holies but the High Priest. This privilege was only granted on the Day of Atonement, to offer the blood of sacrifice and incense before the mercy seat. Whitney Houston was the Blood sacrifice that was offered on the Sabbath day, or Saturday, exactly 7 days after Madonna’s performance.

So there you have it folks. The music industry is really a secret society in disguise and it’s much more than music. If you’re considering being an entertainer do your research and know what you’re getting yourself into. Without knowledge of the occult one doesn’t stand a chance of surviving within the music and film industry. If you enjoy your own self expression and individuality then the industry isn’t for you. Once the deal is made your life will be ritualized and controlled forever.

By. Ra Imhotep

The Official WGHR Dj Maxx Birthday Bash Friday Feb.17th 2012 @Comfort Suites Bar 900 East,mERIDEN,cT

Dj MAXX Official Birthday Bash Hosted by Model Melanie Lopez & GetBizzzy Performances By Noedall , MelotheGod , Rowdy City ,LA Comision and Appearance By Ru Williams.Music spun By Dj Kg & WeGoHardRadio.com's B-day man Himself Dj Maxx Ladies Free All Night Long.Dress to Impress.

2NIGHT!! The Only Place to be is "2 for 1 THURs" w/ Dj D-1 on the 1's & 2's @ KGEE's in Southington, Ct

2NIGHT!! The Only Place to be is "2 for 1 THURs" w/ Dj D-1 on the 1's & 2's Playing all your Favorites @ KGEE's in Southington, Ct!!!!

The Best Bartenders, Great Crowd, Mixed w/ Food & Drinks!! NO Cover / Plenty of FREE Parking all @ KGEE's on 25 Center st. Southington Ct

FRIDAY, FEB 17th!! IT'S ALL GOING DOWN @ ((JEFF's B-DAY BASH)) Presented by PaperChase Ent!! w/ Music Spun By: W.G.H.R's Own "DJ D-1"

This FRIDAY, FEB 17th!! IT'S ALL GOING DOWN @ THE ONLY PLACE TO BE: ((JEFF's B-DAY BASH)) Presented by PaperChase Entertainment!! Music Spun By: Mr. Don't 4get the DASH Himself "DJ D-1", He is BACK Rockin @ The "MARDI GRAS" Cafe in Hartford,Ct!!

NO COVER / 21+ / NO DRESSCODE / DRINK SPECIALS ALL NIGHT!! (If You Made it Out to Our NEW YRs Eve BASH YALL Already know How it Goes Down!! TRUST the MARDI & HARTFORD will be put on a Permanent LEAN Earrllyy!!)

THE LIPSTAIN: Baby Blue! Beyonce and JayZ's Lil Bundle Makes He...

THE LIPSTAIN: Baby Blue! Beyonce and JayZ's Lil Bundle Makes He...: I know I am late posting these but Lil Baby Blue is soooo beautiful, I had to post the pics on my page! She looks mostly like Beyonce with...

Whitney Houston dies at age 48

Whitney Houston dies at age 48 - NYPOST.com

Jay-Z Enters New Musical Heights at Carnegie Hall

By MESFIN FEKADU Associated Press
NEW YORK February 7, 2012 (AP)

As Jay-Z transitioned from hit song to hit song at a Carnegie Hall concert Monday night, so did the lighting, changing from red to white to blue.

The veteran rapper then performed his latest hit, "Glory," about his 1-month-old daughter with Beyoncé, Blue Ivy Carter.

"I didn't think I was going to make it through that one," he said, sounding emotional. "That was tough."

It was one of the many jams Jay-Z performed at New York's famed venue, his latest achievement in music domination.

The rapper is the second hip-hop act to perform at Carnegie Hall. Wyclef Jean did so in 2001 with Stevie Wonder, Eric Clapton and Whitney Houston.

Jay-Z was joined by fellow New Yorkers Alicia Keys and Nas. He was backed by an orchestra of 30-plus and a band that included Questlove of The Roots and neo-soul singer Bilal. It was one of two shows for charity planned this week.

The Grammy-winning rapper, born Shawn Carter, started off in a black-and-white tuxedo, bowtie and black sunglasses, commanding the stage with confidence in a somewhat unfamiliar territory: The audience was mostly men in suits or tuxedos, and women in conservative dresses. About 2,800 people filled the hall.

Though some tickets were sold to the public, most were offered in a private sale, going from $500 to $2,500. The proceeds will benefit the United Way of New York City and the Shawn Carter Scholarship Foundation, which helps low-income students cover college costs. Students from Jay-Z's foundation also attended the show.

Jay-Z, who released his debut album in 1996, performed more than two dozen hits including "Hard Knock Life," ''99 Problems" and "Dirt Off Your Shoulder." Classic New York anthems also entertained the audience. The orchestra played a medley of Billy Joel's "New York State of Mind," Frank Sinatra's "New York, New York" and Gil Scott-Heron's "New York Is Killing Me."

Changing into a black tux, Jay-Z performed "Empire State of Mind" with Keys, who wore similar attire. Nas followed with his song "N.Y. State of Mind."

"Make some noise for the Giants," yelled Jay-Z, giving a shout-out to the recent Super Bowl champions.

Jay-Z changed outfits once again, this time to a black T-shirt, black pants and a black cap. He traveled to the second floor and began to rap songs from the top of a chair.

He gave shout-outs to some of those missed in music, from the Notorious B.I.G. to Aaliyah to Don Cornelius. He also gave a shout-out to Liza Minnelli, who waved to the audience before Jay-Z hit the stage.

Elephant Man Arrested For Suspicion of Rape: Report - The Juice | Billboard.com

Elephant Man was reportedly arrested on Monday (Jan. 30) for suspicion of rape. According to TMZ, Elephant Man, born O'Neil Bryan, was arrested in Jamaica after the alleged victim filed a report and a police investigation occured.

TMZ continued to say that "one Jamaican media outlet" reported that the rapper was charged with "grievous sexual assault and rape" after interrogated and enough information on the matter was gathered.

The Kingston, Jamaica native has been successful on the charts. Elephant Man has had two No. 1 albums ("Good 2 Go") (2003) and "Let's Get Physical" (2008)) chart on the Reggae Albums chart. He's also held two slots in the top 20 of the Rap Songs chart with "Pon De River, Pon De Bank") (2003) and "Jook Gal (Wine Wine)" (2004).


Elephant Man Arrested For Suspicion of Rape: Report - The Juice | Billboard.com

'Soul Train' creator Don Cornelius found dead

Don Cornelius became the baritone-voiced bellwether of Chicago cool when he took "Soul Train" from the South Side to a national audience in the 1970s.

Cornelius, 75, was found dead Wednesday at his Mulholland Drive home in Encino, Calif. He apparently died of a self-inflicted gunshot wound, police say. There was no sign of foul play, but the Los Angeles Police Department was investigating.

Born in Chicago in 1936, Cornelius grew up in the Bronzeville neighborhood and worked numerous jobs: he sold insurance, worked as a TV newsman and deejayed at WVON, which serenaded the South and West Sides with soul music. While employed at WCIU-TV in the '60s, he started hosting soul dance parties around the city and eventually approached station management about a show based on the same idea. They accepted.

"I wasn't surprised because I was invited to come over there by one of my mentors, Roy Wood, who was the news director at WVON-AM radio," Cornelius told the Tribune last year. "He was a good man. He had persuaded them to do a black-oriented news show called 'A Black's View of the News.' I knew the format at Channel 26 had a lot to do with ethnic-targeted programming, so I said to the owner one day, 'Why don't you let me try this?'"

"Soul Train" debuted in 1970 with low expectations and overhead. Color cameras weren't in the budget and the dancefloor was the size of a typical living room. But the show struck a chord with an audience that had been largely ignored by other teen-oriented dance shows, most famously Dick Clark's "American Bandstand." For young, African-American kids, "Soul Train" was must-see after-school viewing because it presented mostly R&B artists that other shows neglected. And, perhaps most importantly, it showcased the hippest dance moves.

Besides calling in favors from stars such as Curtis Mayfield, the O’Jays, B.B. King and Jerry Butler that he had befriended over the years, Cornelius brought in young dancers he met at parties or on the street to cut loose in front of the cameras. They were the unpaid star attractions who popularized enduring dance moves such as the "robot" and "pop and lock." One of the show’s most avid viewers, the young Michael Jackson, was clearly paying attention when one of the show’s dancers debuted the "moonwalk" in the '70s. The high-stepping "Soul Train" alumni include actress Rosie Perez, singer Jody Watley and rapper MC Hammer.

The show moved to Los Angeles in its second year and entered into national syndication, turning Cornelius from local celebrity into a music-industry tastemaker. Stars such as Sly and the Family Stone, Al Green, James Brown and Aretha Franklin appeared. Indicative of the show's burgeoning reach (and bigger budget), Barry White showed up in 1975 wearing a black velvet tuxedo and conducting a 40-piece orchestra. White performers wanted in, too, and Elton John and David Bowie were among the guests.

Cornelius' show mirrored African-American culture and influenced it, not just with music but with its sense of style and language. Cornelius’ invitation to visit and "style a while," and depart with "peace, love and soul" fit with his unflappable demeanor. Behind the double-breasted suits, professorial glasses and smooth turns of phrase was a keen sense of business and community. In an industry dominated by whites, he was a pioneering African-American empire builder and partnered with Johnson Products, another black-owned Chicago institution, as a sponsor.

Though he wasn’t particularly a fan of disco or hip-hop, Cornelius made sure his show adapted to them.

"I've been accused of not being up on hip-hop or not being a fan of hip-hop, which was never true," Cornelius told the Tribune. “If you had a following and you were charting in the major industry magazines -- Billboard, and before that Cash Box -- we had a commitment that 'Soul Train' was yours. And we lived up to that. We saw ourselves as a mirror of what black radio was doing. That whole criteria was part of what kept us going so long."

Indeed, "Soul Train" -- which was syndicated by Tribune Entertainment from 1985 until 2007 -- provided the first wave of national television exposure for acts such as L.L. Cool J, Snoop Doggy Dogg and Public Enemy. The host finally bailed in 1993 and the show continued until 2006 without him, though it was never really the same. By the end, "Soul Train" had been eclipsed by other outlets showcasing cutting-edge African-American talent, but it remained the template for many of them.

"I don't know of any more of a significant show than 'Soul Train,'" said Kevin Swain, director of the 2010 documentary "Soul Train: The Hippest Trip in America." "Dick Clark obviously had an impact, but in modern pop culture, 'Soul Train' was the most important vehicle because it brought African-American culture to television in a way that hadn’t been seen before, and it brought it in a fun and hip way that wasn’t heavy handed or overly political. And it was the single most important show for promoting black music. There probably wouldn’t be a (cable channel such as) BET without 'Soul Train.'"

Just last September, Cornelius was the subject of a tribute at the Pritzker Pavilion in Millennium Park, celebrating the 40th anniversary of "Soul Train" with a concert featuring his friends Jerry Butler, the Impressions, the Emotions andChi-Lites. But it was Cornelius who stole the show, striding on stage in black leather. He declared the dedication of a city street in his honor as part of the festivities "the most important thing that has ever happened to me."

"It'll be good to come back and see some people that I haven't seen in a long time," Cornelius told the Tribune in anticipation of the concert. "And it'll probably be the last one in a while where people give me some applause for something I may have done."


'Soul Train' creator Don Cornelius found dead